"greetings from the evolution control department!"

Humoorika sõnakäsitlusega inervjueeritav, kuid kõbus ülevaade, tunnetamaks vana head entusiasmi, mida paljud tänapäevalised ei kipu mäletama või pole näinudki. Struktueeritus võib kaotada siira rõõmutunde, loodetavasti mitte täielikult.

DJ Stingray 313 aka Drexciya's DJ mix 2006-nov (mp3)

Headnoks from Blackred will visit KRILL/temp.72dpi.ee this year!

Hectic summer electrofunk mix shared by Hecticlab

Das Webradio der Deutschen Gesellschaft für elektroakustische Musik in Kooperation mit dem Zentrum für Kunst und Medientechnologie, Karlsruhe

Drexciya's DJ Stingray @ NL (RealAudioStream)
(PS! Starts 13:45)

Shirley and Spinoza Internet Radio Station

Some electro/detroit techno and house played continuously by Jancek (most tracks are also available at temp.72dpi.ee recordboxes - Location: Pits / Tartu) PS! Only vinyls!

A small video - includes sound by Anders Ilar

One small video from KRILL - 4th May 2007

Gas - "Microscopic" - the video is not official... but anyway... :)

Don't listen too much electro, these are the sideeffects

http://www.myspace.com/tundru Tundra @ MyWaste

http://www.myspace.com/wochtzchee Wochtzcheé @ MyWaste

Klaus Röder http://www.klaus-roeder.org/

Kenny Muhammed = drummachine (Part1) & (Part2)

Don't know, is it nice to drink near by this equipment ?! :)

Some mixes for machines by Hectic

Man vs. Robot &
Some short video clips from 2nd March 2007 KRILL
and also there is really nice radio http://www.frequencyradio.org/!

Tracks from 2006 - mixed by musiclover mr Chill

Luke Eargoggle & Johan Inkinen at Tallinn YouTube(-d)

Jancek - Live My Digs 3 (MP3) Hosted: Sladkajakonfeta

Citizen Chill from Tallinn- ''Be Banned" (MP3)

Another mix from Chill - IDM DIY (MP3)

Download: Anders Ilar - Dfrntly>

Juschka - Ear Bubbles VIII (1:00:00) (Dwnld) (MP3)

Anders Ilar - LIVE @ KRILL (Tallinn 13.04.06) Dwnld

Anders Ilar was here at Estonia/Tallinn @ Club "Võit" — 13th April 2006 — KRILL

Q: Which path led you to music-making? A: I've been loving music since I was a little child. I was fortunate enough to grow up in the 80s, when electronic music just began to develope. At first there were Depeche Mode and Howard Jones, then I started looking for even more synthetic sounds. So I found Kraftwerk and Tangerine Dream. Then I discovered bands like Front 242, Skinny Puppy and Severed Heads. When being a teenager you were either into sports or music. At 14 I got my first synth and drum machine and so it began.
Q: What attracted you in industrial music? A: The sounds, the emotions, the sci-fi feeling perhaps. It was music that really didn't tell the usual storys of popmusic. But we didn't call it "industrial" back then.
Q: Looking back in time, what do you think of your early works? Seems that it motivated you to go on. A: Making music has always been natural for me.
Q: Were you influenced by friends making music or just recordings etc? A: I was, after a while I met friends also into this kind music and possessing some instruments. Eventually we moved all our equipment into a big studio, so that we could all use eachother's stuff and make better music. We looked together for new music and had different bands.
Q: Did it work out for all of you? A: I don't have any contact with most of these people, but I would guess that most of them got regular jobs and lives now. Except Rutherford of course. He's still around, deejaying and making a record every now and then.
Q: What do you put into your music (do you want to express yourself or lead the li sten ers to some specific point)? A: That's up to every li sten er. But if my music takes you somewhere, then it's great. Music is a strange language. There is also a point when making instrumental music.
Q: You said that music is a language. Do you think that it's possible to express all human emotions musically? A: I do. But it's always subjective. So I would rather say that all human emotions could be experienced through music.
Q: Do you have periods when you make music more often or do it less ? If so, what could be the main factors there? A: There seems to be no specific pattern in my case. Sometimes I make one track every week for 3 months, then I don't do anything for 3 months... but then i make ten tracks in 2 weeks. Just never try to force anything. Inspiration usually comes once I start working with some sounds. Sometimes it's like an urge and there are times I believe I'll never make another track.
Q: Which takes you more time - achieving the most inspiring sounds or creating the final composition with them? Which comes more easily? A: Both are very important. One usually opens the way to the other. I usually start by collecting sounds. It also varies for each track, depending on style.
Q: How much do you keep an eye on what's happening in the music at the moment? A: Not much. It's impossible. Also I'm not so excited about looking for new music anymore. When something is really good I'll discover it sooner or later.
Q: Tell us about your new releases. Do you see them more as a pinnacle so far or just a floating point along the way? A: As you can see on my website www.pinesky.com, I've got a lot of releases coming up. And yes.. every release is just as important.
Q: Which one of your older albums is the closest to your soul right now? A:. I don't like to put music against music. It's all good, so competition is not necessary. Quite naturally I'm mostly into the stuff I'm working on right now. But my aim is to only make music that will last forever. It's like asking which one of your children do you like most. There's love, there's music. Just let it be.
Q: What about the differences between the earlier Anders Ilar stuff and your latest creations? A: There's a big difference, as I was probably more impatient before. But still, there aren't many tracks that I have released and don't like. There's also a certain charm about kind of experimenting with the software and trying out new ways to work with it. Now, there's always a certain amount of boring routine in the process.
Q: Some people think that electronic music is just either clicking a button on the mouse or deejaying. what would you say to them? A: I would say.. try it. Guitar music is just plucking some strings... Anyone can make some noise.

Johan Inkinen @ temp.72dpi.ee, free time- Listen!

DJ set: Johan Inkinen @ 72DPI-2005-09-24

50% LIVE and 50% DJ sessions
Juju & Jordash : NL	Fyoelk : NL/GER	Move D : GER
Herrmutt Lobby : BE	Anders Ilar : SWE	Cat from Japan : LV
X3no : LV	Joel Tammik : EST	Edasi : EST
Tanel Paliale : EST	Jagaspace : EST	Gnahwal : EST
ki en ra : EST	Quarah : EST	Allone : EST
Sädelev Kass : EST	Algorütmid : EST	Taavi Tulev : EST
Juhan Vihterpal : EST	Kulgurid : EST	Moemlien : NL/IS
Jantronix Schulte : DE	Marcel Woyt : DE	Oliver Hacke : DE
Sex Tags Mania : NO	Anders Ilar : SWE	DJ Worm : LV
Ilmar K & Aedla : EST	Nemos : EST	Aivar T6nso : EST
Abstract Detail : EST	Jancek : EST	Taavi Ilves : EST
Kersten Kõrge : EST	DJ Evert : EST	Wim Grower : EST
Marcel Düšess : EST	DJ Ilmajaam : EST	mdmaria : EST